The Royal Court: Jerwood New Playwrights
The Jerwood Foundation has supported Jerwood New Playwrights at the Royal Court since 1994. Upon its establishment in 1999, the Jerwood Charitable Foundation took over responsibility for this crucial programme, which is rooted in the Royal Court’s desire to create a more sustainable culture for new writers. Over the years, Jerwood New Playwrights has been instrumental in discovering and supporting some of the most important playwrights of our time, from Sarah Kane to David Greig and Mark Ravenhill to Ayub Khan Din. To date the programme has supported 67 new productions to the stage.
Each year, Jerwood New Playwrights supports the production of three new works by emerging writers, all of whom are in the first 10 years of their career. The Royal Court carefully identifies playwrights whose careers would benefit from the challenge and profile of being fully produced either in the Jerwood Downstairs or Jerwood Upstairs Theatres at the Royal Court. The programme has produced a collection of challenging and outspoken works which explore a variety of new forms and voices, and stimulate a huge amount of press and public interest.
The 2012 Jerwood New Playrights are:
Nick Payne - Constellations
Nick most recent play at the Royal Court was Wanderlust. His credits include One Day When We Were Young for Paines Plough at Sheffield Theatres and If There Is I Haven't Found It Yet at the Bush Theatre. He was the winner of the George Devine Award in 2009.
Read reviews of Constellations in:
Independent
Telegraph
What's On Stage
Vivienne Franzmann - The Witness
This is Vivienne’s second play. Her first play Mogadishu opened at the Royal Exchange, Manchester last year to critical acclaim, winning the Bruntwood Playwriting Competition and the George Devine Award in 2010.
Vivienne Franzmann: The Witness
Jerwood New Playwrights at The Royal Court
1 - 30 June 2012
'Sometimes when I think of going back. I feel like I could run there. It’s like I'm being called back. I know it sounds ridiculous. And sometimes I don't give a shit about any of it and I just want to stack shelves for the rest of my life.’
Captured in an award-winning shot Alex was rescued from Rwanda and adopted by the man behind the lens. Back from uni and returning to where she was raised the distance between father and daughter stretches taut. In the dark room of a Hampstead home a long hidden secret is slowly exposed in a flash of revelation.
Vivienne Franzmann’s new play is a piercing and dark thriller of modern morals.







